This is a play along Neo Soul Shuffle style jam track in D minor at 80 BPM. Great for practising your improvisation, scales, chord comping and rhythm.

Help support my music by buying this track at http://bensjamtracks.com - please read the video description for the chords and further track information.

Connect with me on social media via my website at http://benharrison.com.au

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BUY THIS TRACK:

You can buy and download this track at http://bensjamtracks.com in the following versions:

- Normal version
- "For bass" (bass track removed) version
- "For drums" (drum track removed) version
- "For piano" (keyboard track removed) version

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CHORD STRUCTURE:

The basic chord structure is:

Dm9 - - Em9 | Dm9 - - Em9 | Dm9 - - Em9 | Bbmaj7 - A7#5b9 - |
Dm9 - - Em9 | Dm9 - - Em9 | Dm9 - - Em9 | Bbmaj7 - A7#5b9 - |
Bbmaj7 - - - | Dm11 - - - | Em11 - - - | Gm9 - Am7 - |
Bbmaj7 - - - | Dm11 - - - | Em11 - Ebmaj9#11 - | Ebmaj9#11 - - - |
Dm9 - - Em9 | Dm9 - - Em9 | Dm9 - - Em9 | Fmaj7 - Gmaj7 - |
Dm9 - - Em9 | Dm9 - - Em9 | Dm9 - - Em9 | Fmaj7 - Gmaj7 - :||

OUTRO - Play after 4th repeat

Dm9 - - Em9 | Dm9 - - Em9 | Dm9 - - Em9 | Fmaj7 - Gmaj7 - |
Dm9 - - Em9 | Dm9 - - Em9 | Dm9 - - Em9 | Fmaj7 - Gmaj7 - |
Dm9 ||

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Thanks for listening!

If you’d like to hear more jam tracks, please subscribe to my YouTube channel to be notified when new tracks are uploaded.

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USAGE:

You may use this jam track to exhibit your personal musical skills in a non-commercial recorded video or audio performance posted on-line.

Appropriate credit with a link to the original track is appreciated.

This jam track is provided for self-educational purposes only. You may not copy, publish, distribute, extract, re-utilise, or otherwise reproduce any of my tracks for your own personal or commercial financial gain, or use as a basis for creating a derivative work.

For commercial licensing or live performance licensing information, please contact me at contact@bensjamtracks.com

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COPYRIGHT:

Benjamin Harrison, unless otherwise stated, is the owner of all copyright and all other intellectual property rights in the products and their contents. These products and their contents remain the property of Benjamin Harrison and, when purchased, are licensed to you only for personal and private non-commercial use and not for re-distribution, transfer, assignment or sub-license. All rights not expressly granted here are reserved.

El #Concierto30Años fue un live stream el 30 de abril de 2021 desde el confinamiento por la pandemia. 'Aburrimiento' fue la segunda canción del concierto, es del álbum Bipolar.

Esta es mi banda favorita!!! si kiern bajarse el video lo enkontraran en la pagina del grillo!

Bill Evans improvisational lick in 12 keys built on II - V progression.. Great exercise to improve improvisation skills and ear training. Taken from Bill Evans transcription for "But Beautiful" and adapted to II - V- I progression. Applied to the song: "What Is This Thing Called Love". Intermediate to advanced technique. Free score can be downloaded from my website: http://www.kenthewitt.com/

Del Disco Superjuguetes aqui les tengo al Grillo Villegas

Complete Chord Mastery course: https://www.musictheoryforguitar.com/chords-and-harmony-guitar-lessons.html

Master of the Modes course: https://www.musictheoryforguitar.com/scalesandmodesguitarlessons.html

Many musicians think of music theory as a kind of un-emotional mathematics that tell you what chord come after another chord, or what scale goes on that chord, and so on.

While this is definitely an aspect of music theory, it is not the most important part of it.

(and BTW, there is nothing wrong about math per se!)

After all, most of us do not play music just because it resembles math - we play music because it transmit emotions and feelings.

So it only makes sense that a theory of music should have something to say about how music connects to emotions; and how a composer/songwriter can create some very specific feeling in their audience.

And yet, if you open any book of music theory, or even take a college course on it, barely a mention is made about emotions. It's like they only teach you the grammar of music, and completely neglect what you can say with it.

In this video we see together how to connect anything you know about music theory to actual emotions and feeling - and how a composer/songwriter can use this knowledge to write more expressive music.

If you like this video, share, like, comment & don't forget to subscribe for more content!

Need help with music theory for guitar? Check out these FREE resources: https://www.musictheoryforguitar.com/guitar-music-theory-free-resources.html


FOLLOW ME:

YouTube: https://www.youtube.com/musictheoryforguitar
Facebook: https://www.facebook.com/MusicTheoryForGuitar
Twitter: https://twitter.com/theoryguitar
Website: http://musictheoryforguitar.com

Cover a #Llegas en compa 2018
#llegas #rocknacional #bolivia #epifaniastringsquartet

Siguenos en nuestra red social
Facebook:
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Esta historia es única…
La “Cueca de todos” es una cueca alternativa boliviana compuesta por Willy Claure el año 2005 e interpretada en vivo en los conciertos de presentación del CD de Willy Claure “Alternativa” en el que participan 7 guitarristas bolivianos como invitados.
Este tema musical no está incluido en el CD, fue compuesta como Grand Final en los conciertos de la Gira por Bolivia.

Gira Presentación del CD “ALTERNATIVA” de Willy Claure.
Participan:
Juan Carlos Cordero
Grillo Villegas
Gabriel Navía
Manuel Monrroy
Jorge Villanueva
Víctor Hugo Mercado
Glen Vargas

Ocho guitarristas de distintos géneros musicales pero disfrutando unidos por la música y la Cueca Boliviana.

Arreglos Musicales:
Daniel Pérez
Batería:
Enrico Lenzin.
Mezcla y Mastering:
Cacho Romero (Estudio AUDIONAUTAS)

2005

Provided to YouTube by CDBaby

Efecto Crónico · Llegas

Conciliábulos

℗ 2014 R. Villegas

Released on: 2014-11-26

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