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LA MEJOR GUÍA DE JEFES QUE VAS A ENCONTRAR de HOLLOW KNIGHT
Primera parte de la guía de jefes de Hollow Knight, dónde os daré los puntos clave para derrotar a todos y cada uno de los jefes de este juego!
00:00 Intro
00:53 Madre Gruz
01:46 Rey Vengamosca
02:52 Falso Caballero
04:24 Hornet y Hornet 2
07:52 Cargador del Musgo
08:54 Señores Mantis y Hermanas de la Batalla
15:21 Mawlek
16:47 Oblobbes
17:40 Receptáculo Roto
18:56 Guardián de Cristal y Furioso Guardián
21:16 Señor Desleal
22:31 Uumuu
23:23 Coleccionista
24:52 Nosk
26:12 Domador de Dioses
27:36 Zote el todopoderoso
30:12 Final de la parte 1
Dónde compro todos los jueguecillos que veis lo más baratos posible? - https://www.instant-gaming.com?igr=Acre
SABÉIS QUE TENGO CANAL DE TWITCH DONDE DIRECTO CASI TODOS LOS DIAS?: https://www.twitch.tv/acreversion
Podéis ayudar mucho al canal y conseguir cosillas exclusivas aquí: https://www.patreon.com/Acreversion
Si quieres contactar conmigo: vauhxal@gmail.com
Suscribirte: http://www.youtube.com/subscription_center?add_user=AcreVersion
Y si quieres seguirme en Twitter: https://twitter.com/AcreVersion -
LLEGAS con Javier Malosetti - Respiros - #VieneElSol DVD
"Respiros" (R. Villegas) - Extraído del BoxSet #VieneElSol
30-31 agosto de 2013 en el Teatro 16 de julio
Banda:
Grillo, Gonzalo Gomez, Julio Jaime, Mayra Gonzales, Diego Ballón, Benjamin Chambi.
Invitado: Javier Malosetti. -
Llegas - Aún
concierto Almaqueloide XX aniversario -
LLEGAS - EPILOGO VIVO SUCRE ALMAQUELOIDE XX
Teatro Gran Mariscal Sucre -
SMOOTH NEO SOUL BACKING TRACK Cm
SMOOTH NEO SOUL BACKING TRACK
JAM TRACK FOR GUITAR
© all rights reserved
© tutti i diritti riservati -
Neo Soul Shuffle Jam Track in D minor - BJT #50
This is a play along Neo Soul Shuffle style jam track in D minor at 80 BPM. Great for practising your improvisation, scales, chord comping and rhythm.
Help support my music by buying this track at http://bensjamtracks.com - please read the video description for the chords and further track information.
Connect with me on social media via my website at http://benharrison.com.au
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BUY THIS TRACK:
You can buy and download this track at http://bensjamtracks.com in the following versions:
- Normal version
- "For bass" (bass track removed) version
- "For drums" (drum track removed) version
- "For piano" (keyboard track removed) version
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CHORD STRUCTURE:
The basic chord structure is:
Dm9 - - Em9 | Dm9 - - Em9 | Dm9 - - Em9 | Bbmaj7 - A7#5b9 - |
Dm9 - - Em9 | Dm9 - - Em9 | Dm9 - - Em9 | Bbmaj7 - A7#5b9 - |
Bbmaj7 - - - | Dm11 - - - | Em11 - - - | Gm9 - Am7 - |
Bbmaj7 - - - | Dm11 - - - | Em11 - Ebmaj9#11 - | Ebmaj9#11 - - - |
Dm9 - - Em9 | Dm9 - - Em9 | Dm9 - - Em9 | Fmaj7 - Gmaj7 - |
Dm9 - - Em9 | Dm9 - - Em9 | Dm9 - - Em9 | Fmaj7 - Gmaj7 - :||
OUTRO - Play after 4th repeat
Dm9 - - Em9 | Dm9 - - Em9 | Dm9 - - Em9 | Fmaj7 - Gmaj7 - |
Dm9 - - Em9 | Dm9 - - Em9 | Dm9 - - Em9 | Fmaj7 - Gmaj7 - |
Dm9 ||
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Thanks for listening!
If you’d like to hear more jam tracks, please subscribe to my YouTube channel to be notified when new tracks are uploaded.
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USAGE:
You may use this jam track to exhibit your personal musical skills in a non-commercial recorded video or audio performance posted on-line.
Appropriate credit with a link to the original track is appreciated.
This jam track is provided for self-educational purposes only. You may not copy, publish, distribute, extract, re-utilise, or otherwise reproduce any of my tracks for your own personal or commercial financial gain, or use as a basis for creating a derivative work.
For commercial licensing or live performance licensing information, please contact me at contact@bensjamtracks.com
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COPYRIGHT:
Benjamin Harrison, unless otherwise stated, is the owner of all copyright and all other intellectual property rights in the products and their contents. These products and their contents remain the property of Benjamin Harrison and, when purchased, are licensed to you only for personal and private non-commercial use and not for re-distribution, transfer, assignment or sub-license. All rights not expressly granted here are reserved. -
Grillo Villegas - Concierto30Años - Aburrimiento
El #Concierto30Años fue un live stream el 30 de abril de 2021 desde el confinamiento por la pandemia. 'Aburrimiento' fue la segunda canción del concierto, es del álbum Bipolar. -
Llegas - Fuego Cruzado (SO.NA.)
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Loukass en el Sokabon-Dos Años
Esta es mi banda favorita!!! si kiern bajarse el video lo enkontraran en la pagina del grillo! -
Bill Evans Lick in 12 keys, Jazz Tutorial on II-V-I
Bill Evans improvisational lick in 12 keys built on II - V progression.. Great exercise to improve improvisation skills and ear training. Taken from Bill Evans transcription for "But Beautiful" and adapted to II - V- I progression. Applied to the song: "What Is This Thing Called Love". Intermediate to advanced technique. Free score can be downloaded from my website: http://www.kenthewitt.com/ -
Grillo Villegas- Risas (Super Juguetes)
Del Disco Superjuguetes aqui les tengo al Grillo Villegas -
![The EMOTIONAL Meaning Of Chords [Music Theory]](https://i.ytimg.com/vi/_cAIiQRVxsU/sddefault.jpg)
The EMOTIONAL Meaning Of Chords [Music Theory]
Complete Chord Mastery course: https://www.musictheoryforguitar.com/chords-and-harmony-guitar-lessons.html
Master of the Modes course: https://www.musictheoryforguitar.com/scalesandmodesguitarlessons.html
Many musicians think of music theory as a kind of un-emotional mathematics that tell you what chord come after another chord, or what scale goes on that chord, and so on.
While this is definitely an aspect of music theory, it is not the most important part of it.
(and BTW, there is nothing wrong about math per se!)
After all, most of us do not play music just because it resembles math - we play music because it transmit emotions and feelings.
So it only makes sense that a theory of music should have something to say about how music connects to emotions; and how a composer/songwriter can create some very specific feeling in their audience.
And yet, if you open any book of music theory, or even take a college course on it, barely a mention is made about emotions. It's like they only teach you the grammar of music, and completely neglect what you can say with it.
In this video we see together how to connect anything you know about music theory to actual emotions and feeling - and how a composer/songwriter can use this knowledge to write more expressive music.
If you like this video, share, like, comment & don't forget to subscribe for more content!
Need help with music theory for guitar? Check out these FREE resources: https://www.musictheoryforguitar.com/guitar-music-theory-free-resources.html
FOLLOW ME:
YouTube: https://www.youtube.com/musictheoryforguitar
Facebook: https://www.facebook.com/MusicTheoryForGuitar
Twitter: https://twitter.com/theoryguitar
Website: http://musictheoryforguitar.com